A Good Dream at Long Beach Indie International Film, Media + Music Festival

The stars came out for the Long Beach Indie Film Festival on Saturday, and A Good Dream took home the prize for Best Narrative Feature (Action/Sci-Fi/Thriller).

Stars of A Good Dream, Melany Bennett (Loco Love), Victoria Atkin (Assassin's Creed), and Karim Saleh (Iron Man 2) were all on the red carpet with film director, Mahum Jamal. 

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Underground Buzz

With over 150K trailer views on Facebook and YouTube, the buzz is mounting for A Good Dream, 25-year old San Francisco-based writer, director, and producer Mahum Jamal’s first feature film. As a Millennial herself, it's no wonder she is connecting with young fans and the press is starting to notice.

A Good Dream stars Melany Bennett, Karim Saleh, and Victoria Atkin, with a cameo by NYC nightlife personality, Kayvon Zand, and features an original score by Cyril Hahn with contributions by the club DJ duo Dandi & Ugo.

It's an art house psychological thriller that tells the story of a girl in her 20s trying to find herself in NYC. “The ‘existential crisis’ has more significance in our world today than ever before. Young adults discovering themselves have more reference points and exposure, making the process of reaching adulthood ever more complex,” says director Jamal.

The audience will also see themselves reflected in the diverse cast. Part Swiss, part Mexican, Melany Bennett, from Loco Love is joined by Karim Saleh, Lebanese-French, from Iron Man 2, and British actress Victoria Atkin from Assassin’s Creed. In this surreal journey, Melany, becomes Uma, a daring, lonely female poet who dives deep into her mind’s world and the audience joins her in unraveling the imaginary from reality. It’s a coming of age story true to the new millennium.

Young audiences eager to see the film have already weighed in: “Omg I’m in love.” “This looks kool to watch.” “Just amazing!”

 

 

 

Berlin International Film Festival

The Berling International Film Festival nominated A Good Dream in several categories:

Best Feature Film - Mahum Jamal & Nikolai Metin & Alena Svyatova

Best Cinematography in a Feature Film - Oren Soffer 

Best Editing of a Feature Film - Mahum Jamal & Nikolai Metin 

Best Original Screenplay of a Feature Film - Mahum Jamal

Best Visual Effects or Design - Jesse Newman 

Fingers crossed! 

International Independent Film Awards

The good news is rolling in. The International Independent Film Awards selected A Good Dream in several categories, including:

Platinum Winner 2017 Actress In A Leading Role (Melany Bennett)

Platinum Winner 2017 Cinematography - Oren Soffer

Platinum Winner 2017 Narrative Feature 

Platinum Winner 2017 Soundtrack - Cyril Hahn

Gold Winner 2017 Animated Visuals - Sara Gunnarsdóttir

Gold Winner 2017 Concept

Gold Winner 2017 Original Score - Cyril Hahn

Congratulations to the team! 

NewFilmmakers New York

A Good Dream is an Official Selection by NewFilmmakers New York! We will be hosting a screening on August 30th at 9pm at Anthology Film Archives (32 Second Ave, New York, New York 10003). 

Be sure to RSVP that you'll join us on our Facebook Events page. See you soon! 

Madrid International Film Festival Nominations

A Good Dream will be screened in Madrid on Saturday, July 15, at 9am at NOVOTEL MADRID CENTER (C/.O'Donnell, 53 28009 Madrid). 

In the meantime, the nominations are in! A Good Dream received the following nominations:

Best Lead Actress - Melany Bennett

Best Visual Effects or Design - Jesse Newman

Best Animation or Animated Sequence

Talented New Filmmaker -Mahum Jamal

The screening is free and we hope to see you there! 

15 Things You Don’t Want to Get Wrong

(originally published on Medium)

As a First-time Writer/Director/Producer:

I’m Mahum Jamal. I completed my first feature film, A Good Dream, in 2016. Here are some learnings that I got from the process for other people embarking on their first-feature journey.

  1. Come in with a specific vision. You won’t have any opportunities to flounder on set, so make sure you know exactly what you want.
    (in addition to the above) Stick to the details. The details are what differentiate quality from the pack.
  2. Make sure you’ve already “gutted” your script for the foundational meanings before you bring on board your crew. You will have to be the person with the answers, so make sure you have them. It’s a privilege for an actor to ask you “What does it mean?” and get an answer. You have all the answers, never take that for granted
  3. Be 100% confident about who you are bringing on board your team. If you’re not, don’t be afraid to make changes when you’re on set (fire them).
  4. The industry is the wild west. Don’t be afraid of lacking experience if you have vision and an idea. Go balls deep. The process will figure itself out. Don’t be afraid to start by over-thinking the process. Thinking about it too much sucks the fun out of it.
  5. Bring in a trusted ally. Make sure you have someone you completely trust through the experience who will reinforce that you are making decisions for your and the film’s best interest.
  6. Don’t be afraid to say something is not right as many times as needed before it is.
  7. Don’t let anyone take the reigns. They belong to you. This goes double for women. There will be other professionals on set who will want to lead, such as your Assistant Director (AD), your Cinematographer (DP), the other producers, even actors, but the film is your vision. You are in charge.
  8. If you have 10 minutes of daylight to shoot a rooftop scene and can’t go back to that location, you better shoot that scene right in the first take.
  9. Create boundaries. It’s ok to take a night off your film to blow off steam.
  10. Try to hire as many professionals as possible. It will raise the caliber of your film and your reach to other professionals. Find people who have experience on larger sets. That isn’t to say you should discount the novice, but a degree of professionalism will allow for a smoother-run set. Contact people whose work you admire already. You never know, they might be interested in working with you.
  11. Don’t be afraid of getting down and dirty. Your first film is no time to get prissy about changing the set yourself or moving props around to your liking. If you don’t have time on set to explain yourself, do it yourself.
  12. Subway scenes. If you can’t get permits, then just shoot the scenes in the AM.
  13. Working with actors is a fully empathetic and emotional experience. Their performance will define the quality of the story. Allow them to trust you and tune into their emotional cues. This will help you lead them to the emotional place you need for the character. The supporting actors will struggle not being the lead of the film, and the lead may struggle being the lead of the film! You will have to be there to support all of them. All actors will compete for your attention, but sometimes the lack of attention will drive them to do better.
  14. The most difficult part of the process was watching the film pulled apart in pieces and having to reconstruct it from my mind to the reality of it — That translation process from imagination to reality is excruciating.
  15. Being called original is one of the greatest honors.

No one cares about the film more than you. You are the life of the film! Remember this.

Director's Statement

The Director of A Good Dream, Mahum Jamal, gave us her insight into the film.

Director's Statement:

I was always fascinated by the subject of disillusionment during my time at Columbia. I was drawn to books on the subject and films about hollow people who are lost in cities attempting to find themselves. Somewhere in the midst of existing nowhere and belonging to nothing, the characters in these stories connected with God.

I could relate to their stories. I wrote profusely about disillusionment in poetry; fabricating my own personal meaning in poetic verses. The experience of meaninglessness, Existentialism, was a way to discover my connection to God. In the midst of disillusionment, I began to see patterns and hidden truths. Yet, as a young person, still learning about myself, I was unaware of how to integrate these insights with my regular, tedious day-to-day experiences. Instead I was flung into the world of the insane and irrational, where I observed that spiritual insight and schizophrenic visions were one and the same thing. I met many interesting characters on this journey, like a good friend who would make birds appear out of nothing in the sky with his mind. He once demonstrated his skill to me, by pointing out of a hospital window — “That bird right there? I made that right now. I’m really good at seagulls.” And others who were on the brink of brilliance and insanity.

Uma is one of them, one of us. She is deeply psychic and connective. She reaches into the recesses of her mind as she mediates through her day-to-day life. When the uncanny opens up to her, however, Uma is ill-prepared to take on the burden of unreason. She cannot resolve the ennui of the everyday with the magnitude of the uncanny. She experiences a form of existential dread, a condition whereby she cannot intellectually comprehend the experiences she has, and therefore struggles to assemble meaning.  A Good Dream is her story.

The Madrid International Film Festival

A Good Dream was just accepted into the festival programming for the Madrid International Film Festival 2017. 

For over six years, the Madrid International Film festival has been considered one of the most distinguished film festivals in Europe. The festival attracts a wealth of talent from around the world, and A Good Dream is honored to be included.

A Good Dream will be be shown at the festival on July 15, 2017. 

Foreign Film Favorites for Art-House Fanatics

You're an art-house fanatic, right? A Good Dream director, Mahum Jamal, has created the definitive list of all time fabulous foreign films just for you. She hand-picked 26 select titles, and you won't believe what she included!

You can see the list on IMDB. Happy watching. 

 

Composer Cyril Hahn Talks Inspiration

A Good Dream composer Cyril Hahn was interviewed in District Magazine, about how he found his place and working on the film. 

I hear you worked on a film score, can you tell me a little bit more about that?
It’s something I’ve always wanted to do so when the director approached me about the project it was an easy decision to make.